Archive for the ‘visualisation’ Category

original sins?

Thursday, May 20th, 2010

Why do so many brand logos appear unoriginal?  Reading some press you’d think that graphic designers sit around all day either copying each other or channeling Vic Reeves: ‘that was my idea’.  Are we running out of ideas?  Is the media running out of stories?  Are strangely familiar logos coincidences, remixes or ripoffs?

Tempting as the brand theft narrative is there are other factors at work.  Designers work with the logical and the lateral seeking the ‘original’ – not just to impress their peers, but because an original and distinctive logo is more noticeable, memorable and protectable – a more effective and valuable brand property.  This search for originality is not quite the free-spirited enquiry of the fine artist, being at least in part anchored at some level to brand messages and requirements of the client brief.  Companies are rarely as unique as they would like to be and often want to communicate many of the same things. ‘Global’, ‘fast’, ‘efficient’, are just a few recurring themes (how many companies do not want to be seen as those things?). As global consumers we swim in an increasingly homogenous media soup (apologies for distasteful mixed metaphor), sharing the same cultural references, so perhaps it is not so surprising that brands are getting less distinct and that designers sometimes come to similar conclusions.

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a conversation with Cathie Felstead

Wednesday, April 14th, 2010

Award-winning illustrator and creator of book covers for novels by William Golding, Iris Murdoch, Isabel Allende and Alice Walker, Cathie Felstead has illustrated numerous childrens’ books and worked for big-name clients like British Airways, Channel 4, Ballet Rambert and Oxfam.  An RCA graduate, she also teaches final year Illustration at University of Hertfordshire.  She talks here about inspiration, deadlines, Angela Carter, Industrial design, Cheryl Cole and Arsenal Football Club…

Do you think you have a particular approach to illustration? There is a difference between the work I do for clients and my own work.  My approach to work for clients is quite businesslike: I get a script, look through it and see if there is something interesting about it… (a good fee can make the dullest script more interesting!).  The starting point of an advertising job can be less engaging, and more of a challenge.  Books and editorial work are generally more inspirational and better suited to my approach…

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bottling decoration?

Wednesday, April 7th, 2010

Functionality, clarity and rationality reign supreme in contemporary design.  The Bauhaus casts a long shadow and analysis of function, distillation of meaning and removal of the inessential gives us the calm spaces, ordered structures and clear interfaces that we need to navigate our complex modern lives.  It could be argued that decoration is anti-design.  Style is inevitable, but ‘decoration’ is just for cakes and wallpaper, no?

There are areas of design where indulgent visual richness remains desirable and appropriate, a signifier of value and/or emotion. Decoration blooms sporadically now – our rapid cultural turnover often rendering it ‘tired’ before it can establish itself.  It may not be a dirty word any more but beyond the confines of fashion and interior design, decoration often coexists uneasily with cool minimalism and rational typography.  Are we are in danger of losing the art of decoration?

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