Posts Tagged ‘visual culture’

too much information?

Thursday, June 10th, 2010

This is my favourite road sign.  I like it because it treats me as a sentient human being rather than a mindless drone incapable of independent thought.  It encourages me to consider the possible hazards of my situation and trusts that having so reflected, I will make good decisions.  Were I not barrelling along at 70mph it would also inspire me to muse further on the meaning of life, the universe and everything…

The rarity of such ‘thoughtful’ road signs makes me wonder why few communications assume an intelligent audience.  Too much ‘telling’ surely eventually breeds disinterest.  On the roads we all see plenty of poorly regulated over-signing: badly placed, ugly ‘street furniture’ laden with overly instructive signs, sometimes there (it would seem) as much to prevent the local council from being sued as to actually help the public.  Credible research now shows that careful removal of oversignage increases road safety.  De-signing can be good designing.  As in most areas of communication design, consideration of the user and limiting the number of messages to be processed increases the likehood of effectiveness.  More thoughtful communications crediting users with some intelligence would be no bad thing.

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charm/offensive

Thursday, May 27th, 2010

The matchless charm of 1950s/60s comics, which comes not only from the artwork but also the basic (but cleverly exploited) printing technology and cheap uncoated paper (pic via Half-man Half-static).

Forty years back (in the Life on Mars era) the fashionable aesthetic is an informal, natural look.  There is lingering hippy talk of ‘getting back to nature’.  These are lean years for the high street hairdresser, ‘male grooming’ is a laughable concept and clothes are mostly cheap and nasty or homemade.  Design is still a cottage industry but it is looking to the future: Michael English’s Hyper-real airbrush illustrations seem new and extraordinary.  Robert Moog’s synthesizer is the future of music (although he hasn’t yet worked out how to keep it in tune)…

March 2010, Farringdon. I’m in a tube carriage near an extraordinary-looking young woman who appears in no way real.  Her hair, nails, makeup seem somehow beyond human and her high brow and flawless surface reminds me of the actor/digital hybrid the Red Queen from Tim Burton’s Alice in Wonderland.  Blankly shiny, expressionlessly ‘perfect’, she is the HD-ready paradigm of modern beauty.  Music seeping from headphones is also soullessly bright, sampled, virtual, autotuned.  All of this is in sharp contrast to the immediate noise and grubby texture of London, where illustrators, designers and musicians, bored with software slickness are increasingly going ‘wonky’ (surely the most irritating/overused phrase of 2009), working with the look and feel of handwork, crafts, ‘outsider art’ and forgotten technologies to rediscover ‘charm’….

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Comic Sans apocalypse

Monday, February 15th, 2010

Well that’s it then. The End of Days. Armageddon. Civilization? all over. I have seen a sign: Someone with sufficient cash for a brand new Bentley has seen fit to customize it not only with a personalised license plate (tacky, but unsurprising) – but one set in design’s least favourite typeface: Comic Sans.

Momentarily traumatised whilst driving I failed to whip out the phone camera to record this portent of doom or to note particulars for the design police, but trust me – its out there somewhere… (more…)